What better to do on a warm summer’s evening than roam around a Colour Palace? Or The Colour Palace at Dulwich Picture Gallery in south east London, to be more precise. Last week I was at the official opening of the new summer pavilion designed by Peckham-based architects Pricegore and artist Yinka Ilori, whose vibrant design fusing European and African influences won an open competition.
Bright and welcoming, the pavilion is a ten metre tall cube made of hand-painted lengths of wood. Built on four huge red cylinders it seems to float above the ground, and its layers of colourful timber shimmer in the sun, perfectly complementing the more traditional architecture of this lovely gallery designed by Sir John Soane.
The gallery itself is small enough to feel intimate, big enough to host some really interesting exhibitions. I was not expecting to enjoy Cutting Edge, the Gallery’s exhibition of linocut art, even though in her speech the Director, Jennifer Scott, had bigged it up as a movement to make the artistic process accessible to all, not just those who’d been to art school. As it turned out, I loved it so much that by the end was wondering if any of the pieces might be small enough to slip under my jumper and sneak home with me. (Just to note: obviously I would NEVER do this and nor should you!)
The exhibition is divided into themes, which include transport, speed and movement, industry, labour and sport and leisure. Simple and beautiful, and each using only a limited colour-palette the prints seem to be able to capture both movement and stillness equally perfectly. Like a slow game of cricket on a hot summer’s day, each piece sings with the spirit of the 1930s, and the exhibition reminds me of the optimism and exuberance of the old London Transport posters exhorting passengers to visit Kew Gardens by tram or take the tube to London Zoo.
The entrance to the gallery is dominated by a giant paper-cut crocodile, created specially for the exhibition by Japanese artist Nahoko Kojima. This is not, as I imagined, some limp white thing sitting on a plinth, but a black and gold beast suspended from the ceiling that demands attention and was drawing quite a crowd when I was there.
If you have time after your visit, there’s a lovely café at the Gallery, or it is right in the middle of Dulwich village which is awash with good eateries.
This gallery is good to visit all year round, but the pavilion and printmaking exhibition are really worth a trip. Also, the Gallery is running Pavilion Lates – totally free music, talks and more after hours. Catch the pavilion and exhibition while you can – Cutting Edge: Modernist British Printmaking is on until 8th September and the pavilion is open until 22nd September.
If you are the least bit persuaded, this is a helpful link to get there by public transport.